THE FOLLOWING BOOKS
WERE PUBLISHED WITH
WORK OFF OF THIS BLOG!!!!



FOR MORE INFO ON HAPPY HOUR
AND HOW TO ORDER, CLICK HERE:

http://lokidesign.net/2356/2010/11/four-minutes-to-midnight-issue-eleven%E2%80%94happy-hour/

"To tell you the truth, I'm pretty burned out
on meat poetry or street poetry or poetry of
the down-and-out, whatever you want to call
it, because so much of it is bullshit; either bogus
motherfuckers who never shed blood but
insinuate themselves into the lives of those
who have and then make a name for themselves
by writing generic imitations, or a bunch of
middle-class kids still living at home talking
tough, aping Bukowski, Wantling, levy, Micheline...
but HAPPY HOUR is the real thing. Stark precision.
It's stripped down, bare bones authentic.
You be the real McCoy, amigo..."
-John Bennett


A new EBOOK!
FREE DOWNLOAD!
CLICK HERE FOR MORE INFO:
http://www.lulu.com/content/e-book/pesticide-drift/9128215


DRINKING & THINKING
FROM BLUE PRESS,
SANTA CRUZ, CA. 2010
"For a while, now, outside of
what you/ve been doing
outside Klamath Falls and what
Todd Moore was doing outside
Albuquerque, not much
integrity married to the inside
dope of the poetic imagination
as far as my jaded view
has been concerned."
-Michael C. Ford


SOMEONE WHO LOVED YOU
From 48th Street Press,
Philadelphia, PA. 2010
"SOMEONE WHO LOVED YOU
is simply a great piece of work."
-GERALD NICOSIA


TASTE THE
From If Year Books,
Brooklyn, N.Y. 2009
"A cool little scrabble of
fugitive pieces, some
handwritten, some paste-
ups, all laid in like a scrapbook
miscellany with mean teeth."
-Kevin Opstedal, Ukulele Feedback


DON'T SAY A WORD
From Blue Press,
Santa Cruz, CA. 2008
"F. A. Nettelbeck isn't
fucking around."
-Patrick Dunagan,
galatea resurrects #9




Signed copies are $10 each,
plus $2 postage and handling...
checks payable to F. A. Nettelbeck,
POB 69, Beatty, OR 97621 U.S.A.
__________________________________




12/30/08

Here's That Rainy Day

to the late great Freddie Hubbard

when I snuck backstage
to tell you how
much I love you
you gave me a 20 dollar
bill to go get a 12-pack
of Budweiser so we
could bullshit proper
"you gonna come
back ain't you?"
shit man that was funny
so was me asking how
that Ascension
session was and what
did Coltrane have in mind
and then all your guys
with those fine
Japanese bitches
saying yeah how was that
never thinking to ask
after playing with you
for so long damn
and when it was time
for the next set you just sat
the first tune out with me
talking there in the wings
finishing the beers listening
to that beautiful shit
coming out of your group
until you had to go back on
and you told me "stay cool"
as you picked up your
horn and walked out
bathed in all that light
poised to motherfucking blow